Sunday, February 1, 2015

Reconciling rational and narrative paradigms

The metaphor I have in my head to compare rational and storytelling paradigms is the comparison of mythology/folklore/art and modern science.

Ancient Greeks believed that the god Apollo, son of Zeus, pulled the sun across the sky each morning and night behind his four-horse golden chariot. The sun was once considered a divine sphere of celestial fire controlled by the gods and willed by prayers. According to the Greeks, Aurora the goddess of dawn flew across the sky each morning proceeding Apollo, trailing vibrant colors to announce the arrival of the sun.

Native Americans from the Pacific Northwest coast to the Great Plains, to the  inland forests of Mexico had their own respective sun gods and surrounding myths.

In modern times, we “know” that the sunrise is a result of the Earth’s rotation, its tilt on its axis, and it’s position in its yearly orbit around the sun. Sunlight, a reflection of ultraviolet rays off of scattered air particles, is composed of a spectrum of colors that grade from violets and blues at one end to oranges and reds on the other. At sunrise (or sunset), light has to travel farther through the atmosphere and through more scattered air particles than at the middle of the day, which creates a kaleidoscope effect and makes more colors of the spectrum visible. These colors are then reflected off of the clouds.

Do these two different paradigms change the way we see the sunset? Does either interpretation make it any more, or less beautiful? Is one more “real” or valid than the other? Can these two beliefs be reconciled?

This comparison in itself shows that I (obviously, as a writing major) err more on the side of the storytelling paradigm. I prefer fables to mathematics and I believe the world is up for interpretation. Building upon what I wrote last week, I continue to wonder: Why do we value the rational paradigm as the more supreme and undeniable "truth?" Why are arts so often disregarding when they can dive so deeply into the human condition?

Even science, as Persig explains, is little more than oral tradition.

As I mentioned in my last post, I wonder if it's possible for people to move back and forth between seemingly opposite ways of thinking. Although I know I'm stuck within my own bubble of thought and perception, I'm still able to acknowledge and contemplate other bubbles. I can put myself in someone else's shoes to a certain extent; I can understand both paradigms.

In modern society, we are collectively advised (both in an academic setting and otherwise) to never mix the two paradigms, to value reason over storytelling and to look to logic for the base of all things.

Persig makes a handful of very interesting points regarding the interplay of reason and storytelling/ classical ways of knowing in this section of the reading.

“[P]resent-day reason is an analogue of the flat earth medieval period. If you go to far beyond it you’re presumed to fall off, into insanity. And people are very much afraid of that.”

I found this quote reminiscent of Descartes’ struggles with his own existence; we humans don’t like the thought of the unknown, of things we cannot define or justify. When a phenomenon (like what happens to us when we die) can’t be easily explained by stories or science, our fear for it becomes immense.

I’m not entirely sure what Persig means when he says that one must “expand the nature of rationality,” but I think he means something in the realm of combining the two paradigms, using them to fill in each other’s gaps.


As Persig says, both technology and reason “presume there’s just one right way to do things, which certainly isn’t the case.”

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